You are here
Home > Arts & Culture > Two films draw historical, physical trauma

Two films draw historical, physical trauma

From left to right, directors Roxann Whitebean and Courtney Montour debuted two short films at Black Bridge Brewing Co. in Kahnawake Wednesday, which included rising acting stars Keena and Thunderblanket Kitigan Zibi actress Shaynah Decontie. (Daniel J. Rowe, The Eastern Door)

One film depicted the trauma caused to a community by an incision through the centre and soul of its village, while the other showed the physical and emotional pain caused by cancer.

Flat Rocks, directed by Courtney Montour, and Roxann Whitebean’s The Paradigm debuted at a special screening at Black Bridge Brewing Co. in Kahnawake Wednesday and drew a solid crowd of all ages to check out the two short films.

Montour’s documentary looks at 79-year-old farmer Louis Diabo’s relentless and futile attempt to halt the St. Lawrence Seaway’s construction in the 1950s, and his family’s reflections on the man who died shortly after its completion.

Russell Imrie is Louis Diabo’s great grandson, and was at the screening.

“The last time I saw him was probably three weeks before my birthday, which was the 28th of October, 1956,” said Imrie. “I thought it was very good. I thought it was very poignant. I hadn’t seen all those old pictures.”

Many elders who attended the screening spoke about how the documentary brought memories back of the community before the seaway’s construction.

Mohawk Council chief Kenneth McComber said the seaway was originally planned to travel to the south of the town, but that wealthy members of the Kanawaki Golf Club stopped that plan in its tracks.

McComber and fellow council chief Christine Zachary-Deom spoke about how the construction changed the community forever.

The Paradigm is Roxann Whitebean’s foray into the horror genre through her battle with cancer. (Courtesy Paradigm Film)
The Paradigm is Roxann Whitebean’s foray into the horror genre through her battle with cancer. (Courtesy Paradigm Film)

Director Courtney Montour said afterwards she was excited that so many were eager to discuss the film after its screening.

“I used to swim there. That’s where I learned to swim, on the rocks there,” said Imrie. “I thought it was really cool. She did a great job of pulling up old footage and putting it all together. There’s so much more to it than this sentimental thing.”

From documentary to zombies, the second short film of the night was Whitebean’s The Paradigm, a blend of horror, drama and tradition drawn from the director’s battle with breast cancer.

The film is a dreamscape journey drawn from Whitebean’s actual dreams that bounce between childhood memories, zombie horror and traditional teaching.

Kitigan Zibi actress Shaynah Decontie plays the lead Thunderblanket, and said she embraced the challenge of playing the emotionally taxing role of a woman who just had a double mastectomy.

“I just took it by the horns and said, ‘I’m going to give it my all, and I’m going to put myself in her shoes, try to relate as much as I can,’” said Decontie. “I just tried to get into that feeling… I thought when I was going through the scenes, what would she feel in this situation, and that helped.”

Decontie chews up scene after scene and is an actor to watch for in the future. The film also introduces actor William Constant, who plays Mushum, acting for the first time.

“I’m exploring various genres,” said Whitebean of choosing to venture into the horror world.

“I wanted to be creative and try something different… I learned a lot and feel like it prepared me for my next drama, which will be 22 minutes.”

The directors said they would now shop their films on the festival circuit before further releases in selected theatres.

[email protected]

Dear Readers:

As an essential service that is still open during the COVID-19 pandemic, The Eastern Door is fighting hard to keep news like this flowing, in our print product, though an online subscription at and here, for free, on our website and Facebook.

But when a large portion of our regular revenue has disappeared due to so many other businesses being closed, our circulation being affected by the same issue, and all of our specials canceled until the end of the year, we are looking for alternative ways to keep operations going, staff paid, and the paper out every Friday for you to enjoy.

Please consider a financial contribution to help us keep doing what we do best; telling the stories of our people in a contemporary medium – a solid, continuing archive that documents our cherished, shared history. Your kind donation will go to a newspaper that stands as the historical record, in-depth, informative and award-winning news; colourful stories, and a big boost to the local economy by employing 95 percent local workers.

Also, please consider subscribing to our e-edition, which comes out Thursday night, at today, or pick up your copy Friday morning in Kahnawake, Kanesatake or Chateauguay. Akwesasne delivery has been suspended due to the pandemic and border issues.

We exercise real freedom of the press every single day. Without our reporters fighting for the truth our community would be missing a whole lot of facts, separated from gossip and rumors.

E-transfers are accepted and very much appreciated at: [email protected]